THE BEAUTIFUL MOOD (2021)
+ OPUS 1
BECOME OWL (2019)
Regarde-moi ©Benoit Gob
« The side of the moon is frustrating : obscenus we shall say. » Jean-Toussaint Desanti
What is rejected by sight and yet shows itself ; the things that should remain a secret and yet express themselves.
But, is the night actually operating on us, or do we rather perceive in it that blinding part of ourselves ?
Is the night absorbing us, or do we rather see in it the possibility of spreading ourselves ?
Is it obscene ? Would it refer to the unity of dissimulation and unveiling ? Or are we rather this black spot that disturbs the eye.
We are night.
We are this vibration, this blurred area.
We are this compelling desire that it will never stop.
We are this body ready to act, this quantity of force with a load that can be felt. This nocturnal space of "no image".
We are what night represents in a world numbed by the light.
We are this massive body, this labile body, this wild body.
We are this tense space, which we pierce to see inside.
We are this shadow that is thrown at our feet.
We are the stretching material, always looking for inclusion.
We are what extends and opens.
Neither totally dead, nor quite alive, we are the demolition and the recomposition.
We are an invitation, a summoning to laisser-faire attitude.
We are what finally collapses.
We are what mesmerizes, offends and forces the eye to look away.
An indiscreet abundance, neither banal nor reassuring.
We are the refuge, the sleep, the lullaby.
We are resonance, and its multiple modes of existence.
We are silence and breathing.
We are the echo, the crackle, the tremor.
We are what gets deformed, distended, disjointed.
We are everything that comes back again.
We are the end, and what it puts an end to is incompleteness itself.
We are this movement.
// June 2021 Festival Uzès Danse
Choreographers Magali Milian, Romuald Luydlin
Assistant Laurie Bellanca
With Alice Bachy, Romuald Luydlin, Magali Milian, Camilo Sarasa Molina et Anna Vanneau
Music Jean-François Laporte
Music assistant Mars Sens
Stage set and costumes Lucie Patarozzi
Scenography and Light design Denis Rateau
Direction and sound control Valérie Leroux
Dramaturgy Marie Reverdy
Co-production La Maison CDCN Uzès Gard Occitanie, L'Usine Centre national des arts de la rue et de l'espace public Tournefeuille / Toulouse Métropole, Théâtre Molière Scène Nationale de Sète et du Bassin de Thau
Workshops (in progress) Théâtre de Nîmes Scène conventionnée pour la Danse contemporaine, L'Usine Centre national des arts de la rue et de l'espace public Tournefeuille / Toulouse Métropole, ICI-CCN Montpellier-Occitanie/Pyrénées Méditerranée - Direction Christian Rizzo (research laboratory), Charleroi Danse - centre chorégraphique de Wallonie-Bruxelles, HYBRIDE cooperation project with L'Usine / Japon / Villa Kujoyama
// June, 2021
Festival Uzès Danse 2021 / La Maison CDCN Uzès Gard Occitanie
WORKSHOPS (in progress)
// August 9 to 19, 2019
Villa Kujoyama Kyoto, in the framework of HYBRIDE cooperation project with L'Usine / Japan / Villa Kujoyama
// September 22 to October 2, 2020
// October 5-16, 2020
L'Usine Centre national des arts de la rue et de l'espace public Tournefeuille / Toulouse Métropole
// October 19 - 30, 2020
La Place de la Danse, CDCN Toulouse - Occitanie
// January 14 - 28, 2021
La Maison CDCN Uzès Gard Occitanie / Studio mobile La Grand Combe