la zampa - magali milian romuald luydlin

La Tombe Du Plongeur

(The diver's grave - 2008)

To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi

Choreography Magali Milian and Romuald Luydlin
Assistant and video Loran Chourrau
Artistic collaboration Bruno Geslin
Music Patrick Codenys
Light creation Pascale Bongiovanni
Direction and sound control Valérie Leroux
Scenography Marc Lainé
Construction of set's element Jacques Masliah
Performers in the video Sylvain Huc, Romuald Luydlin, Magali Milian
Stage management Daniel Gimenez-Frontin

Partners Press

To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © loran chourrau / www.lepetitcowboy.com
To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © loran chourrau / www.lepetitcowboy.com
To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © erik damiano / www.lepetitcowboy.com
To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © erik damiano / www.lepetitcowboy.com
To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © erik damiano / www.lepetitcowboy.com
To push the body to its limit, Magali Milian and Romuald Luydlin put it through moments of turbulence and cruelty, probe its zones of breathlessness, suspension, amnesia, falling – with this question : how do you invent imaginary physical world? For La zampa, the work of the body is always manifested twice : dug into the flesh and reflected in vision. The dancers, engaged in disorganizing the space are assisted by a video artist. Acting on the set, on objects and on bodies, it become the eye that modifies, processing the real image to make it its own.
Gilles Amalvi
Photo © erik damiano / www.lepetitcowboy.com